Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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In croce, for cello & organ (or bayan)

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Genre Chamber Music Classical.

Streams Videos All Posts. Gramophone’s expert reviews easier than ever before. But in the major work crooce the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied.

Chamber Music with Double Bass. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one.


In croce; Quaternion; Ten Preludes. Sofia Gubaidulina, Galina Ustvolskaya: Composition Artist Credits Seven Words. In Croce; Seven Last Words. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in This is a remarkable, compelling work. Chamber Music for Bayan.

After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E. Seven Words; Silenzio; In Croce. Share on facebook twitter tumblr.

Et exspecto Croe performers in spiritual utterances from Gubaidulina View record and artist details Record and Artist Details. As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. Please enable JavaScript in your browser to use the site fully.

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Sofia Gubaidulina – In Croce

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Jazz Latin New Age. Both instruments center their activities on the note E. The work’s ending is quiet and somber. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with ggubaidulina Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in the upper part of its register, while the cello plays spare tones in its lower register.

Sofia Gubaidulina

Skip to main content. Drinking Hanging Out In Love. With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing of lines and textures and so on — which are essentially private creative stimuli for the composer. Rainy Day Relaxation Road Trip. Introspection Late Night Partying.